RCA | CCA | NO ONE LIVES HERE | EXHIBITION PUBLICATION / CATALOGUE
The Royal College of Art's (RCA) MA Curating Contemporary Art (CCA) course commissioned FL@33 to create an exhibition identity system, a dedicated website and an exhibition catalogue for their show No one lives here. We worked very closely with the course's 14 final year students who curated the exhibition together. No one lives here opened its doors at London's prestigious RCA and ran for over two weeks.
___ The exhibition catalogue presents all 10 No one lives here artists and showcases their work, features their biographies and also contains essays about the exhibition's subject matter.
___ The 'tagging' system was applied here that was developed as part of the show's identity system. It was used to link 'plates' (full-colour visuals) with texts found in a different part of this publication.
___ The publication is printed mostly in one colour – black – but features ten full colour pages and a cover printed in Pantone 317 and black.
___ The catalogue comes with a bookmark that features the identity key. It helps to navigate the publication itself but also links texts with exhibits and vice versa.
240 x 165mm
11 colour illustrations
3 black and white illustrations
Royal College of Art
CLICK FOR MORE INFO | NO ONE LIVES HERE | OFFICIAL SYNOPSIS
No one lives here reflects the many ways in which the digital now permeates culture and conditions the way we live today. The kaleidoscopic lens of the web, constantly shifting our perceptions of politics, the body, popular culture and technology itself, is inherently defined by its processes of production and reproduction. With this in mind, it is the relationships formed between the works of art in this exhibition, both conceptual and visual, that situate them within a digital culture. The relationships formed between the works of art in No one lives here, reinforce their ‘digital’ nature
and locate their meaning within an infinite landscape of information.
___ The exhibition takes its name from Gayatri Spivak’s text Planetarity, published in Death of a Discipline (2003), in which the theorist and philosopher discusses the opposing forces of the ‘Planet’ and the ‘Globe’. According to Spivak the Planet is an organic, nurturing body; the Globe, on the other hand, is defined by our relationship to digital technology. The Globe represents a network of connections, a utopian idea where all individuals are complicit and linked. No one lives here adopts the contradictions produced by this shift. We once inhabited the Planet but increasingly we exist within the Globe.
___ Artists: Neïl Beloufa, David Raymond Conroy, Mosireen Collective, Aleksandra Domanović, S Mark Gubb, Raphael Hefti, Jill Magid, Shana Moulton, Hito Steyerl, Jack Strange
CLICK FOR MORE INFO | PIONEN DATA CENTRE | OFFICIAL EXHIBIT DESCRIPTION
This research display based around the Pionen Data Centre near Stockholm, acts as a preface to No one lives here. This former Cold War era civil defence bunker now houses thousands of terabytes of data, including politically sensitive materials, such as the WikiLeaks servers. Throughout the many months of research and discussion that have led to the formation of No one lives here, the Pionen Data Centre has come to epitomise the paradigm of virtuality that the exhibition wishes to consider. The Data Centre remains a purely functional space, built to house data and information; something inherently technological and lacking humanity. Yet interestingly, it is heavily aestheticised, made in
the vision of science fiction: designer furniture,
and steel structures juxtaposed against bare rock and foliage.
Pictures inside the catalogue are shown here with kind permission of the exhibition's curators. All rights are with the artists and the Pionen visuals with Albert France-Lanord Architects.
Categories: Book design, Campaigns, Covers | Jackets, Environments | 3D, Illustration, Installations | Exhibits, Logos | Identities, Print, Products, Typography
Sectors: Culture | Arts, Education, Non Profit, Publishing